It’s funny because the first couple incarnations of that scene, there were versions where we talked about where he was contentious with Boden and we came to the conclusion he needs to be resolute and dignified, which is how we really wanted his exit to be from the very beginning. At that point, he’s making the decision to go with his real family, his sister and his mom, who need him though everyone’s an adult, when you’re the man of the house, you’re the man of the house. Also the scene midway through where he’s at the hall of badges and he’s looking at his dad and the decision’s made right there that he’s honored his dad’s legacy. When he’s saying goodbye to everybody at the bar, you just knew that was going to be a tough one to film.
When I read what he wrote - and it’s all him - there was some stuff that definitely got you in the throat. I worked with him on two years of Breakout Kings prior to this. He’s been with us from the very beginning. TVLINE | Was there a particular scene that was difficult for you? There were so many emotional goodbye moments in the episode. That was just spontaneous in terms of the actors feeling it. Watching a lot of the scenes, especially the giant group hug, it felt like real life was bleeding into the show. TVLINE | You could really feel that onscreen. They’re as close to a family as they’re going to get without the blood. It’s not an ensemble where it’s populated by headcases who no one wants to hang out with and everybody just takes off after they wrap. It’s not a bunch of older, married with kids actors who all splinter off and go do their thing. They’ve worked together now for three years. If it’s Los Angeles, it’s a little different. They were really upset and emotional… Keep in mind, it’s different when you’re filming a show in another city. But then when the other actors found out, they were the ones who kind of fell apart.
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It’s slightly unexpected when it happens, but he was so professional and was concerned about how we felt. He was completely professional, grateful for the opportunity. TVLINE | How did Charlie take the news when you broke it to him? It was factored in when we conceived the way his character was going to depart, but for now, he’s off to North Carolina. But I’d be lying if I said that we didn’t have it in our back pocket, the opportunity - if down the road all parties come together and there’s mutual interest - for him to return for whatever. I’m sure Charlie’s going to be gobbled up with multiple offers to work elsewhere. Do you have any plans for him to return in some capacity? No one dies, Mills makes some overtures before he goes. TVLINE | It is a pretty opened-ended exit in some ways. Not because of any selected negative viewer response to Shay’s death, but having just already done that, just internally for us, it was a different exit we could do as opposed to repeating ourselves. TVLINE | After the devastated response when you killed off Shay, was this a conscious decision not to give him such a sad ending? I was on Prison Break, and the same thing - there are people you never want to let go, but you had to bring new people in, you had to show the audience that there’s real teeth to the consequences out there. I have no doubt about the prospects of his career he’s going to do fine. The worst part of the job is when you have to let somebody go. On a personal level, it’s very difficult. He’s an amazing individual and a fantastic actor and gave us so many different things, but it was just this going to give us, hopefully, some new blood in terms of a new character and the departure of is going to affect other people. It came solely from a storytelling standpoint. Especially with a relationship-based show, you never want to get stagnant, and you have to be tough-minded sometimes… It was time to shake things up. In the writers’ room, we have a board with all the characters and all the episodes, and we’re pretty vigilant here about making sure that storytelling is fresh. TVLINE | What brought about the choice to have the Mills character exit? And Dawson can always think back on that unexpected kiss Mills planted on her before taking off.īelow, executive producer Matt Olmstead talks about the “difficult” decision to say goodbye to Mills, the new faces coming in to fill his position and what that smooch means for Dawson.
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While Barnett will no longer be a series regular on the NBC drama, viewers can take comfort in the fact that his non-deadly departure left the door open for a return. Chicago Fire bid farewell to one of its own on Tuesday night as Mills (played by Charlie Barnett) left Firehouse 51 to open a restaurant in North Carolina with his family.
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